
Calder-isms
A dazzling collection of quotations from the modern American artist whose mobiles are beloved worldwide.
Calder-ismsĀ is a collection of fascinating, irreverent, and often profound quotations from the influential modern American sculptor Alexander Calder (1898ā1976), who is most famous for his invention of what his friend Marcel Duchamp dubbed the āmobile.ā Often suspended from ceilings, these sculptures feature abstract elements, frequently painted in bold colors, that move and balance in changing harmony. Calderās art was dynamic, unconventional, and filled with vitalityāqualities also displayed by his words, which combine the wisdom of a philosopher with the ingenuity of a true original. Taken from interviews, writings, and other sources, the quotations inĀ Calder-ismsĀ offer memorable insights into Calderās life, mind, and, above all, art.
- āWhy must art be static? You look at an abstraction, sculptured or painted, an intensely exciting arrangement of planes, spheres, nuclei, entirely without meaning. It would be perfect, but it is always still. The next step in sculpture is motion.ā
- āThat visit to Mondrian gave me the shock that converted me. It was like the baby being slapped to make his lungs start working.ā
- ā[A mobile] has no utility and no meaning. It is simply beautiful. It has a great emotional effect if you understand it. Of course if it meant anything it would be easier to understand, but it would not be worthwhile.ā
- āA title is just like the license plate on the back of a car. You use it to say which one youāre talking about.ā
- āPeople think monuments should come out of the ground, never out of the ceiling, but mobiles can be monumental too.ā
Hardcover, 172 pages, 2025.
4.3 x 5.3 in.
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A dazzling collection of quotations from the modern American artist whose mobiles are beloved worldwide.
Calder-ismsĀ is a collection of fascinating, irreverent, and often profound quotations from the influential modern American sculptor Alexander Calder (1898ā1976), who is most famous for his invention of what his friend Marcel Duchamp dubbed the āmobile.ā Often suspended from ceilings, these sculptures feature abstract elements, frequently painted in bold colors, that move and balance in changing harmony. Calderās art was dynamic, unconventional, and filled with vitalityāqualities also displayed by his words, which combine the wisdom of a philosopher with the ingenuity of a true original. Taken from interviews, writings, and other sources, the quotations inĀ Calder-ismsĀ offer memorable insights into Calderās life, mind, and, above all, art.
- āWhy must art be static? You look at an abstraction, sculptured or painted, an intensely exciting arrangement of planes, spheres, nuclei, entirely without meaning. It would be perfect, but it is always still. The next step in sculpture is motion.ā
- āThat visit to Mondrian gave me the shock that converted me. It was like the baby being slapped to make his lungs start working.ā
- ā[A mobile] has no utility and no meaning. It is simply beautiful. It has a great emotional effect if you understand it. Of course if it meant anything it would be easier to understand, but it would not be worthwhile.ā
- āA title is just like the license plate on the back of a car. You use it to say which one youāre talking about.ā
- āPeople think monuments should come out of the ground, never out of the ceiling, but mobiles can be monumental too.ā
Hardcover, 172 pages, 2025.
4.3 x 5.3 in.

















